Hermeto Pascoal, the celebrated Brazilian composer known for his innovative fusion of jazz and traditional music, has passed away at the age of 89.
The self-taught multi-instrumentalist ascended from humble beginnings to international acclaim, with Miles Davis once declaring him the “most important musician on the planet.”
According to a statement announcing his death, he was “surrounded by family and fellow musicians.” Specific details regarding the circumstances were not disclosed.
Pascoal’s prolific output includes over 2,000 instrumental compositions, and he remained actively involved in arranging music and recording artists well into his 80s.
Primarily a pianist and flutist, the artist also showcased his talents on saxophone, guitars, drums, and accordions, frequently incorporating unconventional household objects into his distinctive sound.
Notably, during the recording of his 1976 debut album, “Slaves Mass,” for Warner Brothers, Pascoal famously brought live pigs into the studio.
Born on June 22, 1936, in a rural community northeast of Alagoas, his albinism prevented him from working outdoors with his family. He dedicated his time to self-teaching music during his indoor hours.
By the age of 10, he was performing at dances and weddings, eventually playing forró and other traditional Brazilian musical styles throughout the region.
In the late 1950s, he relocated to Rio de Janeiro, immersing himself in the city’s vibrant jazz scene, performing in nightclubs, and joining a radio orchestra.
His distinctive blend of jazz and traditional folk elements garnered the attention of prominent figures in the Brazilian music landscape.
The celebrated singer Elis Regina collaborated with Pascoal, as did the renowned percussionist Airto Moreira.
Moreira accompanied him on a tour to the United States, where he had the opportunity to meet Miles Davis.
Despite earning the admiration of influential figures in the jazz community, Pascoal resisted being solely defined as a jazz musician, acknowledging his deep connection to Brazilian musical forms like chorinho and samba.
“When they think I am doing one thing I am already doing something else… It’s very liquid,” he told Jazz World in 2022.
Pascoal’s family announced his passing on his Instagram page this past Saturday.
In a heartfelt tribute, they encouraged individuals “to let a single note ring – from an instrument, your voice, or a kettle – and offer it to the universe” as a way to honor his legacy.
Kingsley Ward welcomed Queen to his studio in 1975, shortly after the success of Killer Queen.
After being offered DJing opportunities on a Greek island, Tom Hall is thinking of a music future.
Birmingham’s Boxout Fest provides opportunities for DJs and artists pushing black music and culture.
The rock band play an orchestral version of Bohemian Rhapsody; while Bill Bailey plays a typewriter.
Swindon Brass are competing in the National Brass Band section three finals for the first time.